While on a writing retreat in the sleepy southern town of Benton, Mississippi, the members of New York's Ava Luna came across an abandoned house while on a walk through the woods. Overgrown, rotting, and littered with evidence of its past inhabitants, the maze-like dwelling would haunt their psyches throughout the writing and recording of their third full-length Infinite House. Like Borges' Library of Babel, the seemingly endless rooms and hallways in the old house felt like a metaphor for the invisible, internal labyrinths, which the band explores lyrically and sonically on their new album.
Self-recorded in Benton and at Gravesend Recordings, the Brooklyn studio run by drummer Julian Fader and vocalist/guitar player Carlos Hernandez, and mixed by Dave Fridmann (Flaming Lips, MGMT), it is safely their most polished recording to date. But their trademark intensity, mirthful humor, and angularity remain resolutely in place, the burnished surfaces illuminating the stories beneath like never before. As Hernandez explains "Dave Fridmann was able to augment this music in a really special way, removing it from the literal realm and putting it in a really psychedelic/fictional place."
…post-soul…pulsating from one energy to another, suggesting art project and ritual.
…irresistibly fun…Ava Luna are an exhilarating live band…
…a beaming mix of ice-cool vintage '80s no wave grooves and extra-lush three-part girl group harmonies…Ava Luna has infectious, minimalist, ESG-style beats for days.
…equal parts brain and soul, pairing tricked-out synth work with Motown-inspired dance grooves.