"Listening is like slipping into a warm aural bath...Tignor's beguiling compositions move seamlessly through several stages of development, often ending up somewhere distant from where they appeared to be headed at the outset."

– Wire [read the full review here]

"The gorgeous orchestration and complex rhythms make this album an engrossing, compulsive listening experience...8/10"

"Chris Tignor's gently evocative postminimalist reveries prove one of the year's most pleasant surprises."

– Time Out New York (Top 10  Classical Albums)

"Composer and computer musician Chris Tignor's Slow Six exists in a rarefied realm bordering on classical minimalism and post-rock chamber groups like Rachel's. The band's debut release, Private Times in Public Places, is a thing of rare, fragile beauty, urgently recommended to admirers of Brian Eno's ambient music and West Coast minimalists like Ingram Marshall and Harold Budd."
– Time Out New York

"Each (song) has its own breath and life, and moves with a spirit that feels like a wise and aged soul...the music becomes more lovely with every replay."
– Brainwashed

"Arvo Part meets King Crimson."
– PRI's Echoes Radio Program

"Instinctively marrying amplified classical strings, fender rhodes piano and electric guitars, which they process through homegrown software instrumentation, these classically trained musicians, led by composer Chris Tignor, conjure up melancholic chamber music that appears to gently ebb and flow through schisms in space and time, while the dramatic tension created between instruments cascades over you with cut-glass perfection...8/10"
– Pop Matters [read full review here]

"In these two releases, Slow Six accomplishes something very rare in creating spellbinding art music that's wholly accessible to the masses without suffering any compromise to its artistic integrity."
– Textura [read full review here] 

"Uncommon serenity and lushness...a space of majestic respite from Lower East Side antics"
– Flavorpill

"Their music can be haunting, it can be thoughtful, it can be soaring, it can be resigned... But it is always good. If you thought you couldn't listen to classical beyond the obvious choice cuts from Wagner or Beethoven, Slow Six is a great excuse to delve back into orchestral music."
– Audioversity

"If you have a beating heart, working ears, and the patience to listen to half-hour long tracks that have the slow, careful, and unswerving dedication of minimalism, then you need to hear this album. 8/10"
– The Silent Ballet  [read full review here]

"In a word - fuck! In four - fuck, this is good!...There is a tradition of post-rock neo-classicism exemplified by Rachel's and Clogs which Slow Six fits into, but no band has really attempted to create pieces on this scale before."
– Music Musings and Miscellany [full review here]

"Indeed, there is such a prevalent sense of unity and understanding between band members, that it would seem Slow Six were born with their instruments attached...You would imagine, had a composer such as Wagner been born this century, he would be experimenting with classical structures much like the reveries found on Nor'easter."
– Angry Ape [read full review here]