“”

“VIII (with Marissa Nadler)”

On With Voices, experimental artist Machinefabriek constructs a bewildering aural architecture around vocal contributions from Marissa Nadler, Peter Broderick, Richard Youngs, Terence Hannum, Chantal Acda, Marianne Oldenburg, Zero Years Kid, and Wei-Yun Chen on what may be the most affecting Machinefabriek release to date. +

Brocker Way’s original score for the Netflix docuseries Wild Wild Country is meant to reflect the outlook of each of the show’s interviewees rather than simply emphasizing their outward idiosyncrasies. The music invites the listener to inhabit the myriad personalities and situations in the show from a virtual first-person perspective. In Way’s words “This kind of music gives us an idea as to the motives of each talking head, without actually scoring the motives of the character, and hopefully entices us as the audience to take the journey with them. When the Rajneeshees are building their town, you get to feel that and be right there with them. When Dave Fronmeyer is building his case, you get to feel the nobility he saw in his cause, and we hope to put you right in the room with him when he’s doing it. When a city inspector has to go onto the ranch you can feel the fear as you sit in the car with him. That’s the goal anyway.” +

On Moon 2 Ava Luna’s de facto band leader Carlos Hernandez steps back, leaving space for the rest of the band members to step up and step into roles they hadn’t occupied on previous albums. Felicia Douglass (now a touring member of Dirty Projectors) worked with percussion and sampler, Julian Fader experimented with synths, nearly every band member ran the computer during recording sessions, and Becca Kauffman (aka performance artist Jennifer Vanilla) composed her first song for the group “On Its Side the Fallen Fire,” a deeply layered orchestral piece of Kate Bush grandeur meets Julia Holter reverie. The Fader premiered the infectiously buoyant lead single “Deli Run,” which you can check out here. +

\