“Crowd Nothings”

On the heels of his much lauded 2016 release Deepak Verbera, we're excited to announced the release of a surprise new Botany album Raw Light II which will coincide with the reissue of Botany's 2015 album Dimming Awe, The Light is Raw on limited-edition falmingo-pink vinyl. Conceived as a separate album forming a parallel to Dimming Awe, Raw Light II confidently stands toe-to-toe with its forerunner in breadth and execution. Where the previous iteration made plenty of room for guests (Milo, Ryat, Matthewdavid) the sequel is a solitary showcase of inebriating instrumentals that connect to the Austin composer's aesthetic main artery despite their stylistic diversity. Consistent with Spencer Stephenson's previous output, there is a playfully adept balance of abstraction and structure on Raw Light II that elevates mere beat-tape sequentiality into something holistic and cinematic. +

“We Keep This Flame”

Violinist, software engineer, and composer Christopher Tignor has announced his newest album Along a Vanishing Plane, which is set for release on September 16th. Stereogum premiered a video for the song “Shapeshifting,” directed by Sara Kinney, which shows Tignor creating the version of the song that appears on the album live in a former psychiatric ward in Hudson, NY with no overdubs or backing tracks. You can watch it here. Tignor uses tuning forks and software to augment his violin and spare percussion, creating vast sonic landscapes. As he explains, “I developed a performance technique using tuning forks as musical instruments while playing the violin using the custom software I designed. The software allows me to take the sound of the tuning fork, resonating through my bridge, and transform its single tone into various singing melodies. Each gesture begins by striking various percussion with the fork. Once it’s resonating, I place the fork to my bridge where its sound is transformed by my software into these melodies.” +

Picking up where their as their recent full-length Split Stones left off, New Varieties’ upbeat opening track “Opposing Bodies” features the same melody found on “Scientific Romance”, the final song on Split Stones. Exploring darker and more introspective territory, “Differential” features big reverberating snare hits, emulating the crack of a whip often heard in old Spaghetti Westerns. On the album’s anthemic title track “New Varieties,” the band brings back their powerful Clavinet sound paired against Brazilian influenced rhythms and cascading piano lines. The EP closes with Austin-based producer Botany’s remix of "Opposing Bodies," turning Lymbyc’s clean, head-bobbing rhythms and infectious arpeggios into a gauzy, mind-bending soundscape of smeared textures and chaotic rhythms.. +

We’re excited to welcome Chicago’s Moon Bros. to the WV roster! On their WV debut, band leader Matt Schneider channels something somehow simultaneously poetic and mathematical, like Kepler’s “music” of the spheres. Each composition is instantaneous, improvised and launched as if fully formed, making sense only in relation to its own spontaneously formed rules of interaction… Songs aren’t so much finite concepts but endless ragas that he taps in and out of; consequently these pieces can’t be entered mid-stream. Instead the listener must participate in the universe as its created in order to live in it. His reputation is such that top collaborators need not be sought, but are intrinsically curious to participate. On these recordings, he is joined by Dan Bitney (of Tortoise), Matt Lux (Iron & Wine), and Sam Wagster (Cairo Gang). Producer and engineer Brian Sulpizio (Health & Beauty) records and mixes. Check out the title track “These Stars” below. +

Trevor Montgomery is a craftsman. By day he’s a skilled tile setter, a job taxing to both the mind and body. By night he's an equally meticulous and hard working musician, coaxing just the right tones out of his vintage drum machines and synths to carry his tales of love and redemption. As a tile setter and as a musician, his job is the same: assembling things of beauty to fill empty spaces. In 2012 he released Navigated Like the Swan, his first album under the Young Moon moniker. According to The Wall Street Journal “It engulfs the listener—and sometimes even the narrator…”, while Consequence of Sound called it “…powerful and heartfelt…”. Next month Montgomery returns with his latest offering Colt, a collection of songs inspired by his practice of devotional yoga, and his first album with a full band. Check out “Fell on My Face” which premiered on Consequence of Sound below. +

Peter Broderick's Music for Falling From Trees, a 29-minute masterpiece that Pitchfork called “…surpassingly lovely…”, will be available for the fist time on vinyl soon. Peter composed the pieces to accompany choreographer Adrienne Hart's contemporary dance piece Falling From Trees. Adrienne told Peter she was looking for a score of piano and strings, so he left the guitar and his voice aside and focused entirely on those two timbres. The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. Beautifully utilizing piano and strings, the music evokes a melancholic and playful narrative. +

\