Kaitlyn Aurelia Smith - Euclid (1)
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Kaitlyn Aurelia Smith

Euclid · WV130
  1. 1 Careen
  2. 2 Wide Awake
  3. 3 Stunts
  4. 4 Sundry
  5. 5 Glide
  6. 6 Escapade
  7. 7 Labyrinth I
  8. 8 Labyrinth II
  9. 9 Labyrinth III
  10. 10 Labyrinth IV
  11. 11 Labyrinth V
  12. 12 Labyrinth VI
  13. 13 Labyrinth VII
  14. 14 Labyrinth VIII
  15. 15 Labyrinth IX
  16. 16 Labyrinth X
  17. 17 Labyrinth XI
  18. 18 Labyrinth XII

About

Kaitlyn's solo debut Euclid (primarily written on a Buchla Music Easel synthesizer) was inspired by her love of mbira music, early electronic music pioneers like Suzanne Ciani, Laurie Spiegel, Oskar Sala, and Terry Riley, and euclidean geometry. Each of the first six songs on Euclid were initially structured using euclidean geometry, an idea which Smith explored while attending a class at the San Francisco Conservatory. As Smith explains, "We each chose a 3D shape and assigned our own guidelines to the different components that make up the shape. For example each point of the shape represents a different time signature, each line between the points represents a pitch, each shape within the closed lines represents a scale, etc. And then you play the shape." Despite their heady geometric origins, the songs have a playfulness and warmth that makes them inviting and memorable. In addition to the buoyant grooves of Smith's synthesizers, some of the songs feature wordless vocals, which energize the otherworldly songs, while grounding them with Smith's earthly presence.
She slows things down for the second half of the record, which features a collection of twelve short pieces, Labyrinths I-XII. Originally composed as new soundtracks to old silent films she found online, Smith says the tranquil Labyrinth pieces are "intended to feel like one is walking through a holographic labyrinth and encountering different experiences such as hang gliding, viewing microbes under a microscope, ice fishing in Alaska, and watching glaciers collapse." Despite their brevity, most of these songs feel like mini odysseys, effortlessly casting a cinematic hue on the the listener's world.
Throughout Euclid Kaitlyn Aurelia Smith consistently delivers sonic puzzles draped in a warm Pacific mist. At times these songs feel so alive — like the musical analog to roots growing deeper and stronger, leaves on branches bending towards the light, or the sun peeking over the horizon, briefly igniting the air with a primordial swirl of warm and cool colors.

Credits

Performers
Kaitlyn Aurelia Smith

Recording
Kaitlyn Aurelia Smith

Mastering
Matthew David (matthewdavid)

Press

“...one of the most pioneering musicians in the world.”— Dazed
“…an entrancing…playful, engaging, and often incredibly soothing synth odyssey…”— Gorilla vs. Bear
“It's a difficult balance, pulling in pieces from the fringes of electronic culture and framing them in something so delightfully breezy. Smith triggers sounds that bounce around like hyperactive jellybeans, making it feel like her electronic bleeps and bloops are lost in joyous conversation with one another.”— Pitchfork
“...gorgeous, droning ambience...”— Brooklyn Vegan
“...mind-expanding suites of melody and unhurried curiosity.”— Decoder Magazine
“...adventurous, mesmerizing sonic compositions which cause me to remember my love of music in the early days of electronic sound making machines.”— Reggie Watts
“...sheer poetry: charming, playful, evocative, and showing mastery of her medium.”— Suzanne Ciani